I am a an old soul (not dog) who is comitted to learning new tricks

Masks of Power
K. Zauditu-Selassie

For my mid-term book project. I have decided to create 10 Dos à dos books.

I chose this format after selecting the two poems that I wanted to use. Additionally, when I thought about all of the skills that I have learned over the course of the semester (at this juncture, this format allows me to create that juxtaposition of ideas central in the two poems on masks

Design

On the front side of the book, I am using the poem by Negro (Black) poet laureate (unofficial) Paul Laurence Dunbar
“We Wear the Mask” For this poem, I will use the western hemisphere mask that is made in the Mardi Gras colors of gold, blue and purple, decorated with sequins, and glitter. This mask represents the concealment that culture provided for African Americans in Mississippi and Louisiana in the celebration of carnival and other remembered African expressions of community solidarity reflective of these cultural manifestations and representations. The poet says, “We smile, but, O great Christ our cries to thee from tortured souls arise.” Here the poet expresses that word masks conceal the pain of the Black experience here in British North America and the associated brutalities of white supremacy.

On the back side of the book (the back story) is the poem Prayer to Masks” written by Négritude poet and former President of Senegal, West Africa, Leopold Sédar Senghor. The theme of this poem on masks concerns the protective nature of masks and their association with the ancestors who themselves are emblems of culture within an African ontological frame. Here I have chosen to illustrate this ancestral protection masks using the spiritual tri-colors: red, white and Black. Senghor writes, “Masks! Oh Masks! Black mask, red mask, you black and white masks, Rectangular masks through whom the spirit breathes, I greet you in silence! Black in the trio of colors represents the earth and Black People. The red represents the blood, and white represents the vital forces of semen and breast milk. In Senghor’s poem, he notes the power of the mask to not only conceal power, but to also convey it.

One poem per side (dos)
10 Mardi gras masks
10 Dogon masks

Contents of book)20 x 10 pieces of paper 200 sheets
Since each book is two-sided, there will be 10 pages per side, which equals 20 sheets per book.

Supplies and Materials:

Hardware tools:
Tapestry Needle
Awl
Paper folder (All of which I already purchased as supplies for this course

PVC Glue I already have
Mod Podge I have already left over from Steve Matanle’s Creative Ways of Seeing Class
Brilliant Gloss Glaze to spray masks after I mod podge the masks
200 sheets of paper 70lbs-100lbs No costs (leftover from previous project

I large sheet of art paper 3.99 per sheet
Two sheets of Cardstock paper to glue on the back of the masks to give them bulk and to make the masks more durable. 2.00 each X 2= $4.00
Raffia ( I have already)
Glitter (I have already)
Sequins and beads. I have already from another project)
Gouache paint red, black, and white @ $7.10 each with discount from Utrecht $21.30
Ribbon (I have a couple of spools already
Linen thread Black and Purple I have already from the other class.

Total costs: $21.30 paint
$ 4.00 2 sheets of Card stock
$ 3.99 Art Paper Designer

$29. 29 Total Costs

Assembly Process:n All done over the Spring break

Day One 4 hours

Cut out the paper
Glue cardstock to designer paper
Cut the mask templates

Day two assemble Books 4 hours

Day three 4 hours decorate masks (paint, apply sequins, glue beads).

Day four 4 hours to copy all of the poems into the books.

Day five 4 hours Place raffia and ribbons onto the books.

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